Design seeks out ways to jump over its own conceptual walls-scenarios, user observation, brainstorming, rapid prototyping, critical design, speculative design. There is even “experience design,” which is surely the most imperial, most gaseous, most spectral form of design yet invented. Design Fiction by Bruce Sterling

Simon’s “critical artefact” methodology is based on the idea that provocative design concepts can stimulate people to debate their needs and desires in a more open way, allowing the designer to identify new concepts. An Argumentative Process?

The term critical design was popularised in Anthony Dunne’s book Hertzian Tales. In it Dunne introduces the idea of product design and electronic objects fusing into critical design where the object functions as critique. Critical design has since been adopted as an umbrella term for any type of design practice which suggests that design offers [...]

[We start by] mapping assumptions within and outside of an organisation about the future, and animate these ideas as tangible evidence of the future. Both negative and aspirational futures are embodied as designed touch-points. We focus as much on the effects of possible designs as the design of the service itself. What is Evidencing?

Unlike traditional design, Critical Design is focussing on the communication of an idea rather the development of a product or service. Therefore any constraints that a designer might find in developing a product or service, such as budget, limited materials, time, physics, difficult clients, are for a Critical Designer only constraints in terms of the [...]

Critical design, popularized by Anthony Dunne and Fiona Raby, uses designed artifacts as an embodied critique or commentary on consumer culture. Both the designed artifact (and subsequent use) and the process of designing such an artifact causes reflection on existing values, mores, and practices in a culture. Critical design – Wikipedia, the free encyclopedia

By exploring the relationship between the scientific community and the entertainment industry in the construction of fictional films, this paper investigates the impact that fictional representations, created with the assistance of scientists, have on the construction of scientific knowledge and the public understanding of science. Scientists on the Set: Science Consultants and the Communication of [...]

The Science & Entertainment Exchange is a program of the National Academy of Sciences that provides entertainment industry professionals with access to top scientists and engineers to help bring the reality of cutting-edge science to creative and engaging storylines. The Science and Entertainment Exchange

I would say some representations of science can significantly impact public understanding,” for better and for worse, Kirby says. He views 2000’s Mission to Mars as “harmful,” perpetuating a bogus idea in the public mind because the film depicted as real the geological feature known as the Face on Mars, which actually is an optical [...]

Because of the great persuasive power that film can thus impart to relatively few scientists, it is important to understand the role of fictional films in science communication and scientific practice. The battleground over scientific ideas is not limited to scientific meetings and publications, or even to traditional popularizing realms such as documentaries and news [...]